well i have built it and it works very good i love it saved me xxx$$$
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Posts: 251 | Location: bill nye's town | Registered: November 25, 2005
It kind of works. There's no gimbal, and despite what the guy says on the site, that's not irrelevant. The same result as his contraption would be achieved by attaching a folded tripod with weights on the bottom and holding the midpoint.
It basically adds weight and a handle to something that's relatively awkwardly designed.
I like it. I love inverting it and running around, getting those Evil Dead shots. Is it the same as a real steady cam? No, but I can't complain for the 13.94 I spent to build it.
Posts: 805 | Location: Jersey | Registered: September 07, 2004
We built one of these, but it always has this weird shaking motion that was nearly impossible to get rid of, so we modified it a bit and it works pretty well now. I'll post some pictures later but for now here's a paint version.
I've worked with an even poorer-man's version of this that involved a piece of plywood and badly placed handle bars. The camera mount was next to impossible to work with and the plywood base just cut my hands as I ran backwards into a wall at full speed. (Yeah, us filmmakers are pretty tough dudes/dudettes.) But I digress. My point is- don't try to make up your own version, take the time to find all the exact parts and everything.
I've really contributed nothing to this topic, but I'm not deleting everything now.
Actors? What actors?
Posts: 301 | Location: Hollywood | Registered: August 02, 2004
Yeah, I also made one of those back in high school. It works pretty well for certain kinds of shots. I couldn't find short pipes, so mine is a bit awkward, but it did the trick on a lot of my earlier videos.
Even if you know how to work it, you definitely won't get shots as smooth as a steadicam, but it's definitely good enough if you really need movement in your film. As people have noted, the inverted mode is the best part.
I still use it occasionally, but right now I'm working on a cheap track dolly. You'd be surprised how much you can accomplish with a static camera (check out Roy Andersson and Michael Haneke films), but I know I love playing with movement. Just make sure camera movement is essential to the tone of your film(s) before you invest the time and money to make it.
Posts: 26 | Location: Vermont | Registered: November 23, 2009