any of hans zimmer's scores hav been able to fit my films. if you're NOT making your own score keep your music at a relatively quiet level, regardless of its importance. if the score reminds people of the REAL movie it came from your ****ked. some recommendations: Hans Zimmer (The Thin Red Line)-Light -The Coral Atoll -Silence -Journey To the Line Hans Zimmer (The Rock)-Main Theme -In The Tunnels Hans Zimmer (Crimson Tide)-Roll Tide -Main Theme Hans Zimmer (Tear of the Sun)-Heart of Darkness
im personally not a big fan of the Pearl Harbor score but ive found taht slowing it down 85-75 percent really takes away that sickening cornyness from the songs.
-hope it helps.
Posts: 182 | Location: New York | Registered: August 13, 2003
I've been a professional musician for about 5 years, but I've only been composing professionally for 1. It's been an interesting transition, moving from performer to behind the scenes, but I really like what I'm doing. As far as knowing my stuff...well...there's been a lot of trial and error. I mean, how else do you learn? Musically, yes, I know my stuff. A lot of training and experience there. But the business aspect is a different story. By the way, it's not your musical talent that gets you a career in film scoring, it's your business saavy. There are a lot of very talented people who never make it. And there are a lot of not-so-talented people who hit the big time. But I write good music, and I have a steady stream of jobs, so I'm doing something right. I'm not making millions or anything, but that's ok. I'm still paying my dues.