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Getting a cinematic look on a tight budget
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Posted
'Low budget does not mean low quality' was our mantra during the production. One of the keys to this was to shoot using 35mm lenses.

This has recently become a much more viable option, and camera operator Roger Marshall discusses the pros and cons and also the camera and tapeless workflow used in our latest production video. Director of Photography Anna Carrington describes the impact shooting through 35mm lenses had on the lighting. And there is also information on how the sound was recorded and make-up. Finally, the cast discuss how they approached their roles and worked with the director.

Available in HD: http://www.youtube.com/watch?v=8iFgIeRQM94
 
Posts: 10 | Location: Brighton, UK | Registered: March 06, 2010Reply With QuoteReport This Post
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