So, I have all these great ideas in my head, and I know they would look great in a reel if I just had the training and tools I need.

I shot one already, and I am not as pleased with it as I thought I would be.

My question is: is it possible to get into film school for directing and film production without a reel? I have seen and heard stories on here where people seemingly got in to good schools with very little experience.

I have a background working the industry in NYC, but I never actually worked with cameras or lighting or any of the necessary tools. I just feel like I have what it takes creatively, just not the education, which is why I want to get my MFA.

Any advice would be appreciated. I need to start packaging this stuff together soon.

I'm in my first semester at USC in production and I haven't ever been invovled in a film shoot, so you're one up on me already. As long as a school does not require a reel you can certainly be accepted without one. However, some schools seem to place more emphasis on a reel than others. I know USC, for example, really prides itself on accepting students from all different backgrounds and often accepts students with zero film experience. That said, obviously most of the peopel in my class did submit a reel, but if you look at all film school applicants, most are going to have something they have shot anyway, so that's no surprise. Your reel doesn't have to look like this amazingly professional project. They know you are coming into this as a student looking to learn. I guess my point is if you think your application is stronger with the footage you shot, then include it, but if you think you make a stronger applicant using something else as a visual submission, then don't feel like a reel has to be there or you will never get in. (Unless of course the school is one of the rew that does require a reel).

I would also suggest that whether you have a reel or not, the emphasis of your application should be in the writing samples you submit, especial your statement of purpose. These people know that they are going to be teaching you technique. What they can't teach you is the ability to tell stories. They want to see that you are willing to take a risk and expose yourself to complete strangers, because that's really what filmmakers do everyday. Focus on your passion and your unique perspective, that's what makes you a good applicant, not your camera and lighting skills.

Wow, thanks for the great advice, Marisah! I was already leaning toward this school of thought anyway, but now I feel even more like I should go with my gut. I am nervous that anything I 'shoot' will just look crappy, and not look anything like what I want it to.

So, I am going to concentrate on writing and showing them that I definitely have what it takes creatively to express my vision. I just need the skills.