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hall86

New Member
hi i'm in the pre production stages of this film and want some feedback on my script. i also would like to talk to people who are in melbourne australia who are actors or no actors.
i will be filming in june this year.
this film title is called Acquitted

film script
 
hi i'm in the pre production stages of this film and want some feedback on my script. i also would like to talk to people who are in melbourne australia who are actors or no actors.
i will be filming in june this year.
this film title is called Acquitted

film script
 
sorry here is the script








Acquitted ©
Written by Matthew Hall 2004



Acquitted - written by Matthew Hall ©

INT. OUTSIDE THE COURT ROOM - AFTERNOON
(JASON STERLING, JAMES POLLAK, REPORTER, ROBERT TAYLOR)

“Revenge is the essence, Revenge is the end.”

Enter scene 1.

REPORTER
“Attempted murderer James Pollak has been acquitted today after his case was thrown out of the courtroom due to lack of evidence.


Camera follows James Pollak as he walks down the stairs
towards his car. It freezes on his face.

JASON STERLING Monologue
“James “jimmy” Pollak was a murderer and I knew it. How he escaped the jury was beyond me. He killed her yet he walks free and I knew there was something that we had to do about it. He had a motive and that was to get the briefcase and Sarah Smith was found dead in the middle of a park with 3 bullets in the back of her.


Flash back to the murder scene.
Camera shot on Robert Taylor of his smoking shot freezes

JASON STERLING Monologue (CONTD)
This is Robert Taylor my partner. I'd been partners with him since I started as a cop. I new everything about him and I could tell that lately he was acting a little strange around me. Maybe it was to do with the murder of Sarah who he was friends with, or maybe it was his new relationship he would always keep in the dark. Anyway I knew that he too would want revenge for Sarah.

JASON STERLING (CONTD)
“Hey we need to get revenge on this guy I still reckon he did it”

ROBERT TAYLOR
“What did you have in mind?”

JASON STERLING
“Oh well, I am sure that nobody would overlook Jimmy if he was to say go missing if you know what I mean”

ROBERT TAYLOR
“I read you loud and clear”

JASON STERLING Monologue
“Excellent, now that I have gotten Rob's approval I could move on. Everything was going to plan.”

Scene 2 INT. OUTSIDE THE POLICE OFFICE - NIGHT

Car parks outside the police station

IN THE CAR
(Jason Sterling, Robert Taylor)
ROBERT TAYLOR
What's a guy like Jimmy doing involved in crime anyway?
JASON STERLING
I don't but I do no We need to get a hold of Jimmy's file

ROBERT TAYLOR
What for?

JASON STERLING
So we can get some information on the guy and see if there are any people who might know where we can find him and we do not want to get caught out.

ROBERT TAYLOR
OK let's go then

Both get out of the car

Scene 3 INT. POLICE OFFICE - NIGHT
(JASON STERLING)

Jason and Rob both inside the police office walk over to the filing cabinet and get Jimmy's file/

JASON STERLING
OK got it, now let's get out of here.

INT. OUTSIDE THE POLICE OFFICE - LATE NIGHT
(JASON STERLING, ROBERT TAYLOR)

ROBERT TAYLOR
So how's the wife going?

JASON STERLING
I'd rather not talk about it

ROBERT TAYLOR
Oh that bad hey.

Both get into the car. Jason Sterling looks unhappy and slams the door,
the car drives off.

Scene 4 INT. JASON STERLING'S HOME - LATE NIGHT
(JASON STERLING, KATE STERLING)

Jason Sterling walks into his house tired after a big day at work.

JASON STERLING
Hey, what a big day

KATE STERLING
Where have you been, probably been out drinking all night ”¦”¦.

Jason cuts Kate off

JASON STERLING
Just a minute, I just got home from a huge day at work ”¦.

KATE STERLING
Huge day at work, I've been cooped up at home all day looking after the screaming kids, slaving by the kitchen and I'm really getting sick and tired of it.

JASON STERLING
Well if that's how you really feel then I may as well just leave then.

KATE STERLING
Fine then go ahead and just leave, leave forever.

Scene 5 INT IN THE CAR - MORNING
(JASON STERLING, ROBERT TAYLOR)

Phone rings and wakes up Jason who was sleeping in his car

ROBERT TAYLOR
Hey mate, it's Rob here

JASON STERLING
Hey - What's up?

ROBERT TAYLOR
I was looking through Jimmy's files last night and it said that Jay Morris was a mate with Jimmy and so I thought that he might know where he's hiding. Oh by they way I know where to find Jay!

JASON STERLING
Yeah I saw that Jay Morris guy mentioned in the file but I didn't know where to find him.

ROBERT TAYLOR
Yeah he's living at Jimmy's old place, you know the one?

JASON STERLING
Oh yeah I know, I'll meet you there in like 15 OK?

ROBERT TAYLOR
Sure sounds good, cya there mate

JASON STERLING
Cya

Scene 6 INT. JAYS PLACE - DAY
(JASON STERLING, JAY MORRIS, ROBERT TAYLOR)

Jason Sterling meets Robert Taylor outside the apartment building.
Both walk inside and get in the elevator.

ROBERT TAYLOR
**** man where have you been all night? You look terrible.

JASON STERLING
Yeah I slept in the car last night.

ROBERT TAYLOR
You did what?

JASON STERLING
I've been having problems with the wife again and she kicked me out.

ROBERT TAYLOR
Geeze, that's too bad man, I mean you always seem to have some sort of problem or fight with her”¦what was it about this time?

JASON STERLING
Look, I don't really want to talk about it OK?

Jason Sterling slams out of the lift and Robert Taylor follows.

ROBERT TAYLOR
Really, why now? - come on you can tell me.

JASON STERLING
You best back off now coz I'm beginning to get pissed.

ROBERT TAYLOR
Sorry man just let me know if ya wanna talk about it ”¦ who knows maybe I can help.

JASON STERLING
I'll be fine OK”¦ anyway how is your new relationship going?

ROBERT TAYLOR
Couldn't be better it's go”¦

Jason Sterling cuts him off and stops at the door

JASON STERLING
Wait this is the one

ROBERT TAYLOR
OK what should I say to him?

JASON STERLING
Tell him to get Jimmy to meet us tomorrow night down in the back alley at 11.30.

Scene 6.5 Robert Taylor knocks on the door and a guy opens it. Robert and Jason walk in.
ROBERT TAYLOR
Hey kids

Robert Taylor walks up to the guy sitting at the table.
ROBERT TAYLOR (CONT'D)
How you boys doing?

No answer

ROBERT TAYLOR
Am I deaf or did I just ask you a question?

JAY MORRIS
We're fine

ROBERT TAYLOR
Good. Do you know why we are here?

JAY MORRIS
No

ROBERT TAYLOR
Do you know someone by the name of James Pollak?

JAY MORRIS
What?

ROBERT TAYLOR
I said DO YOU KNOW SOMEONE BY THE NAME OF JAMES POLLAK?

JAY MORRIS
I know of him.

ROBERT TAYLOR
Look you little **** I just wanna know where I can find him and I know you know him so you can cut this innocent BS and co-operate. (points the gun at him)

JAY MORRIS
OK, OK, OK I know him but I don't know where he's at.

ROBERT TAYLOR
Well then you call up Jimmy and you tell him to meet you tomorrow night in the back alley at 11.30 and failure to do this will result in your death. Do you understand?

JAY MORRIS
Ye-yes

ROBERT TAYLOR
Good, we'll see you boys tomorrow night then.

Scene 7 INT. IN THE CAR - MOMENTS LATER
(JASON STERLING, ROBERT TAYLOR)

ROBERT TAYLOR
God damn it man, did you see the look on that guy's face?

JASON STERLING
Yeah I saw it.

ROBERT TAYLOR
He was scared ****-less

JASON STERLING
OK I have to admit that it was quite amusing ”¦.. anyway we better get back to work and we'll see him tomorrow night.

ROBERT TAYLOR
I can't wait to see the look on his face tomorrow night ”¦.. I love sweet revenge.

JASON STERLING
Yeah me too. (Slight evil smile)
Car drives off.

Scene 8 INT. THE ALLEY - LATE NIGHT
(JASON STERLING, JAY MORRISM JAMES POLLAK, ROBERT TAYLOR)

ROBERT TAYLOR
Thank you Jay now I suggest you get going.

Jay Morris runs off.

JASON STERLING
Hello Jimmy do you know who we are?

JAMES POLLAK
Yeah I remember you at the trial.

JASON STERLING
Hand over the case

James Sterling pulls out a gun and points it at Jimmy - Jimmy gives up the case.

JASON STERLING CONTD.
Thank you ”¦. Now I'm sorry to do this Jimmy but”¦

Jason points the gun at Jimmy's head, pauses then turns and points the gun at Robert Taylor

ROBERT TAYLOR
Jason, what are you doing ”¦ this is serious man ”¦ don't play games.

Then flash back to Jason Sterling doing a deal with Jimmy, Jason Sterling fighting with his wife, the murder scene and Robert with Jason's wife.

Jason Sterling then shoots Robert Taylor

JASON STERLING
Sorry mate

Jason Sterling then shoots Jimmy, places the gun in Jimmy's hand and walks off with the briefcase.


The end.
 
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There were a fair few spelling mistakes in that script. You may want to re-read it a couple of times. Also the dialogue was pretty poor.
And I did not get the ending. What the hell was in the briefcase? Why was Jimmy doing a deal with Pollak? It didnt make any sense to me.
Sorry to burst your bubble. Keep at it.
 
hi here is the new updated script hopfully the ending is explained better thanks for your thoughts








Acquitted ©
Written by Matthew Hall 2004



Acquitted - written by Matthew Hall ©

INT. OUTSIDE THE COURT ROOM - AFTERNOON
(JASON STERLING, JAMES POLLAK, REPORTER, ROBERT TAYLOR)

“Revenge is the essence, Revenge is the end.”

Enter scene 1.

REPORTER Voice over
“Attempted murderer James Pollak has been acquitted today after his case was thrown out of the courtroom due to lack of evidence.

Camera follows James Pollak as he walks down the stairs
towards his car. It freezes on his face.

JASON STERLING Monologue
“James “jimmy” Pollak was a murderer and I knew it. How he escaped the jury was beyond me. I wanted to get revenge on this guy and there was something that we had to do about it.

Flash back to the murder scene.
Camera shot on Robert Taylor of his smoking shot freezes

JASON STERLING Monologue (CONTD)
Robert Taylor my partner. I'd been partner's with him since I started as a cop. I could tell that lately he was acting a little strange around me. He was close to the victim but I new there was something else that was on his mind. Maybe it was his new relationship but knowing him he was never going to let me know. Anyway I knew that he too would want revenge for Sarah. Another thing about Rob was he always he had a love for firearms and protection.

JASON STERLING (CONTD)
“Hey we need to get revenge on this guy I still reckon he did it”

ROBERT TAYLOR
“What did you have in mind?”

JASON STERLING
“Oh well, I am sure that nobody would care Jimmy if he was to say go missing if you know what I mean”

ROBERT TAYLOR
“I read you loud and clear”

JASON STERLING Monologue
“Excellent, now that I have gotten Rob's approval I could move on. Everything was going to plan.”

Scene 2 INT. OUTSIDE THE POLICE OFFICE - NIGHT

Car parks outside the police station

IN THE CAR
(Jason Sterling, Robert Taylor)
ROBERT TAYLOR
What's a guy like Jimmy doing involved in crime anyway?
JASON STERLING
I don't but I do no We need to get a hold of Jimmy's file

ROBERT TAYLOR
What for?

JASON STERLING
So we can get some information on the guy and see if there are any people who might know where we can find him and we do not want to get caught out.

ROBERT TAYLOR
OK let's go then

Both get out of the car

Scene 3 INT. POLICE OFFICE - NIGHT
(JASON STERLING)

Jason and Rob both inside the police office walk over to the filing cabinet and get Jimmy's file/

JASON STERLING
OK got it, now let's get out of here.

INT. OUTSIDE THE POLICE OFFICE - LATE NIGHT
(JASON STERLING, ROBERT TAYLOR)

ROBERT TAYLOR
So how's the wife going?

JASON STERLING
I'd rather not talk about it

ROBERT TAYLOR
Oh that bad hey.

Both get into the car. Jason Sterling looks unhappy and slams the door,
the car drives off.

Scene 4 INT. JASON STERLING'S HOME - LATE NIGHT
(JASON STERLING, KATE STERLING)

Jason Sterling walks into his house tired after a big day at work.

JASON STERLING
Hey, what a big day

KATE STERLING
Where have you been, probably been out drinking all night, you said that you'd be home hours ago

Jason cuts Kate off

JASON STERLING
Just a minute, I just came straight home from a huge day at work.

KATE STERLING
Huge day at work, I've been at home all day looking after the screaming kids, I'm really getting sick and tired of it, I have a life as well and your never home!

JASON STERLING
Well if that's how you really feel then I may as well just leave then.

KATE STERLING
Fine then go ahead and just leave, leave forever.

Scene 5 INT IN THE CAR - MORNING
(JASON STERLING, ROBERT TAYLOR)

Phone rings and wakes up Jason who was sleeping in his car

ROBERT TAYLOR
Hey mate, it's Rob here

JASON STERLING
Hey - What's up?

ROBERT TAYLOR
I was looking through Jimmy's files last night and it said that Jay Morris was a mate with Jimmy and so I thought that he might know where he's hiding.

JASON STERLING
Do you know where Jay lives?

ROBERT TAYLOR
Yeah he's living at Jimmy's old place, you know the one?

JASON STERLING
Oh yeah I know, I'll meet you there in like 15 OK?

ROBERT TAYLOR
Sure sounds good, cya there mate

JASON STERLING
Cya

Scene 6 INT. JAYS PLACE - DAY
(JASON STERLING, JAY MORRIS, ROBERT TAYLOR)

Jason Sterling meets Robert Taylor outside the apartment building.
Both walk inside and get in the elevator.

ROBERT TAYLOR
**** man where have you been all night? You look terrible.

JASON STERLING
Yeah I slept in the car last night.

ROBERT TAYLOR
Ha why the hell did you do that?

JASON STERLING
I've been having problems with the wife again and she kicked me out.

ROBERT TAYLOR
Geeze, that's too bad man, I mean you always seem to have some sort of problem or fight with her”¦what was it about this time?

JASON STERLING
Look, I don't really want to talk about it OK?

Jason Sterling slams out of the lift and Robert Taylor follows.

ROBERT TAYLOR
Well I might be able to help mate.

JASON STERLING
You best back off now coz I'm beginning to get pissed.

ROBERT TAYLOR
Sorry man just let me know if you want to talk about it.

JASON STERLING
I'll be fine OK”¦ anyway how is your new relationship going?

ROBERT TAYLOR
Couldn't be better it's go”¦

Jason Sterling cuts him off and stops at the door

JASON STERLING
Wait this is the one

ROBERT TAYLOR
OK what should I say to him?

JASON STERLING
Tell him to find Jimmy to meet us tomorrow night down in the back alley at 11.30.

Scene 6.5 Robert Taylor knocks on the door and a guy opens it. Robert and Jason walk in.
ROBERT TAYLOR
Hey kids

Robert Taylor walks up to the guy sitting at the table.
ROBERT TAYLOR (CONT'D)
How you boys doing?

No answer

ROBERT TAYLOR
Am I deaf or did I just ask you a question?

JAY MORRIS
We're fine

ROBERT TAYLOR
Good. Do you know why we are here?

JAY MORRIS
No

ROBERT TAYLOR
Do you know someone by the name of James Pollak?

JAY MORRIS
What?

ROBERT TAYLOR
I said DO YOU KNOW SOMEONE BY THE NAME OF JAMES POLLAK?

JAY MORRIS
I know of him.

ROBERT TAYLOR
Look you little **** I just want to know where I can find him and I know you know him so you can cut this innocent BS and co-operate. (Points the gun at him)

JAY MORRIS
OK, OK, OK I know him but I don't know where he's hiding.

ROBERT TAYLOR
Well then you call up James and you tell him to meet you tomorrow night in the back alley at 11.30. you got that?

JAY MORRIS
Ye-yes

ROBERT TAYLOR
Good, we'll see you boys tomorrow night then.

Scene 7 INT. IN THE CAR - MOMENTS LATER
(JASON STERLING, ROBERT TAYLOR)

ROBERT TAYLOR
God damn it man, did you see the look on that guy's face?

JASON STERLING
Yeah I saw it.

ROBERT TAYLOR
He was scared ****-less

JASON STERLING
OK I have to admit that it was quite amusing.. We better get back to work were running a little late.

ROBERT TAYLOR
I can't wait to see the look on his face tomorrow night.. I love sweet revenge.

JASON STERLING
Yeah me too. (Slight evil smile)
Car drives off.

Scene 8 INT. THE ALLEY - LATE NIGHT
(JASON STERLING, JAY MORRISM JAMES POLLAK, ROBERT TAYLOR)

ROBERT TAYLOR
Thanks Jay now I suggest you get going.

Jay Morris runs off.

JASON STERLING
Hello Jimmy do you know who we are?

JAMES POLLAK
Yeah I remember you at the trial.

JASON STERLING
Hand over the case

James Sterling pulls out a gun and points it at Jimmy - Jimmy gives up the case.

JASON STERLING CONTD.
Thank you. Now I'm sorry to do this Jimmy but”¦

Jason points the gun at Jimmy's head, pauses then turns and points the gun at Robert Taylor

ROBERT TAYLOR
Jason, what are you doing ”¦ this is serious man ”¦ don't play games.

Then flash back to Jason Sterling spying on Robert and Kate sterling at dinner. Doing a deal with Jimmy, Jason Sterling fighting with his wife, the murder scene and Robert with Jason's wife.

Jason Sterling then shoots Robert Taylor

JASON STERLING
Sorry mate, I know about you and my wife.

Jason Sterling then shoots Jimmy, places the gun in Jimmy's hand and walks off with the briefcase.


The end.


Ending explained

Jason did the deal with jimmy so that he could set up a situation so that he could kill Robert Taylor. The reason for killing Robert is because he is having an affair with Kate who is Jason's sterling wife. He then kills Jimmy Pollak so that he can blame him for the murder of Robert. Jason then walks away with the case Scott free. We never understand what is in the briefcase but we recognize that it's something worth having.
 
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Ok. You answered a few of my questions. I did not get the meeting with Jimmy at first, or why he killed Robert. at least you've cleared that up.
I still don't really like the dialogue, although that is usually the hardest bit to write. And I wonder whatthe importance of the briefcase was in the film. Wouldn't it have worked just as well if there was no briefcase at all.
Just my thoughts. Good luck if you decide to film it.
 
I know you're from australia and all...but the dialouge doesnt seem to australian. I got confused of why they were saying mate, but the rest of the convo seems to be a californian or something. Work on that though. But I like the story.
 
the reason for the briefcase, is so that Jimmy doesn't get too suspiciouse and he has a reason in his mind that to kill sara. Can you give me some good tips about dialog as this is my first script and i'm a little confused. should i have some like deep meaning analoygies like Tarantino's films as he is my main inspiration. wat do u think maybe you could help me with this
 
Just remember this, dialogue is hugely dependent on what type of film you are makin. Thrillers should have very deep and semi artistic dialogue. Comedies should be witty. But for an action film, it should sometimes be cliche and to the point. I don't know if that helps but that is what I know about dialogue.
 
Hall, I did not have a chance to read your entire script but I will make a few comments on the first monologue:

ASON STERLING Monologue
“James “jimmy” Pollak was a murderer and I knew it. How he escaped the jury was beyond me. I wanted to get revenge on this guy and there was something that we had to do about it.

--- This is a bad line becuase it is too "telling" and "descriptive." It undermines the intelligence of the viewer. In other words, you need to be more subtle. Your dialogue "literally" explains the thoughts and intentions of the character. You would be wise to learn subtlety as well as develop a sensitivity for "sub-text"- the desires/thoughts underneath the actual dialogue. Keep in mind that like real people, characters in stories often exaggerate, simplify, and deceive themselves and others with their words intentionally and unconsciously. For example, a possible re-write could go like this:

Ason Sterling (Monologue)
How did Polak get away? (this brief line is enough to convey your idea. The "revenge" aspect can be visualy created by a contextual flashback or some other clue later in your story).

Generally, monologues, voice-overs, and flashbacks should be avoided, especially if you are a first time writer. Even the most experienced writers, struggle writing VOs that are not cliche or a substitute for good dramatic dialogue.

Read "Screenwriting" by Syd Fields for a basic overview, the "Writer's Journey," for inspiration, and "Story" by Robert Mckee for almost scientific analysis.

Lastly, don't be discouraged! The fact that you have actually written something makes you better than most people who just dream. Keep at it!
 
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thanks for your great feed back so far . i do understand where your coming from with monolouges but i need to sort of get to the piont fairly quickly as it is to go for no loger than ten mins. another great film in my mind that uses monoluge well is in fight club. Also wat do u think about the momlouges in the beggining of snatch.
 
Forrest Gump has good voiceover work. He uses voiceovers for the whole movie. Also... remember the titans...the begining of the movie and also the end. That has some good ones as well. Hope I helped.
 
yes, fight club is a great example of a success story in using monologue. However, I haven't seen Snatch.

You need to keep in mind, a 10 min. film does not need to be a "full" story. Meaning, a story with a 3 Act stucture, or a complete "beginning, middle, and end."

Often times, 10min. shorts focus on a certain event or period in a person/peoples lives.

Check out some of the BMW shorts @ BMWFILMS.com.

The other thing is, exposition is sometimes more effective and less "cheesy" when it is done in the "direction" of the film, rather than the writing.

As the director/writer, you need to decide what elements to keep or discard. In a 10min short, you really have to be ruthless - since the majority of the time can be used up in "establishing" character and plot, rather than driving the story forward. If this is the case, the film becomes a bad documentary without a "point" or theme.

Every minute of dialogue and images in your 10min, should reveal something about the story without using "on the nose" prose.

Then how do you reveal without telling, and when does telling work? Here are some examples off the top of my head:

1. Seven Samurai - The first 5 minutes of the film gives us history, conflict, and proposed action. There is a scene where one of the farmers, Rikichi (I think that's how it is spelled) is stunned at the appearance of a lady who walks out of the burning hut of the bandits.

Rikichi himself never explains the situation with his wife, we just sense tension and some underlying issue. In something like 15 seconds, Kurosawa tells us why this character has been so senstiive about the topic of "marriage or wife," filled with animosity toward the bandits, and willing to die for vengence.

2. The Professional - The few scenes where Luc Besson esbalishes the character of "Leon." In the time span of prabably less than a minute, we understand that Leon is an isolated machine like killer. And the only sign of life in his home is the little plant. (Visual clues are what films are about, experiment with them and learn to tell your story visually. Perhaps you could even try shooting your short without dialogue. My first short film was a "silent" film. I intentionally chose the "silent" to challenge and kind of awaken my visual sensibilities. This is not to say that there aren't films that use dialogue to advance story in a creative way. Reservoir dogs and The Usual Suspects use dialogue to create suspense, develop character, as well as reveal plot; all executed with polish and style).

If you haven't seen these films, I highly recommend them. Study how other directors tell the story "visually." It is economical (as far as time is concerned) as well as more entertaining and engaging for the audience since they themselves feel invovled in figuring out what is happening.

Hope this helps. Lastly, don't rush the script! The script is the heart of a film, there is no way to salvage a bad script. Look at all the bad scripts coming out of Hollywood, unsuccessfullly compensated and masked with effects and high production value.
 
whilst these rumours have hit the australian film industry i'm afraied due to VC busy time schedual he will not be appearing in acqutted
Sorry to say
 
hi i hav updated the script again and need more feedback thanks. so far the feed back has been positive, thanks from hall86








Acquitted ©
Written by Matthew Hall 2004



Acquitted - written by Matthew Hall ©

INT. OUTSIDE THE COURT ROOM - AFTERNOON
(JASON STERLING, JAMES POLLAK, REPORTER, ROBERT TAYLOR)

“Revenge is the essence, Revenge is the end.”

Scene 1.

REPORTER Voice over
“Accused murderer James Pollak has been acquitted today after his case was thrown out of the courtroom due to lack of evidence.


Camera follows James Pollak as he walks down the stairs
towards his car. It freezes on his face.

JASON STERLING Monologue
Jimmy Pollak's days out on the street were numbered. Beating the murder rap was a god send. Now everyman and his dog that he ever crossed had a chance to get revenge. Everyone new he was scum and a cold blooded killer even if the jury didn't. Someone was gonna get him and I hoped that someone was me.



Flash back to the murder scene.
Camera shot on Robert Taylor of his smoking shot freezes

JASON STERLING Monologue (CONTD)
Robert Taylor and I had been mates now ever since I could remember. Usually he was the reliable sort of guy but lately I'd noticed some changes. He was friends with Christy who was killed by Jimmy but I new there was something else on his mind. Anyway I knew that he too would want revenge for Christy.

JASON STERLING (CONTD)
“Hey Rob what are we gonna do about Pollak? He's guilty as sin here and walking Scott free.

ROBERT TAYLOR
“What do you have in mind?”

JASON STERLING
“Do you think anyone would really care if Jimmy was to say go missing if you know what I mean”

ROBERT TAYLOR
“Sound like you have a plan”

JASON STERLING Monologue
“Excellent, now that I had made sure that Rob wasn't going to rat me out I could move on with my plan.”

Walk over to the car

IN THE CAR
(Jason Sterling, Robert Taylor)

Scene 2.

ROBERT TAYLOR
What's Jimmy's doing crime for anyway. Why the hell is he such a scum?
JASON STERLING
I don't know maybe a bad past or something anyway who cares I just wanna get rid of him.

ROBERT TAYLOR
It's just so hard to tell if he'll strike again. I mean why the hell did he kill Christy. Who knows who is next on his list? By the way how is Kate going?

JASON STERLING
I don't wanna talk about it

ROBERT TAYLOR
Oh that bad hey. Don't worry it's just women.

Jason Sterling looks unhappy and turns the radio on, fade to black

Scene 3.
INT. JASON STERLING'S HOME - LATE NIGHT
(JASON STERLING, KATE STERLING)

Jason Sterling walks into his house tired after a big day at work.

JASON STERLING
Hey, Kate sorry I'm late.

KATE STERLING
Where have you been, I've been here waiting for ages.

Jason cuts Kate off

JASON STERLING
Just a minute, I came straight from the trial

KATE STERLING
What trial?

JASON STERLING
The murder trial I told you about

KATE STERLING
You said that would be finished hours ago!

JASON STERLING
It went over time I'm sorry

KATE STERLING
Look, I'm really getting sick and tired of you and this relationship; you haven't even introduced me to your mother.

JASON STERLING
Oh come on now that's not really fair.

KATE STERLING
I don't care what's fair the fact is I want out of this relationship and I'm sick to death of you and your excuses.


JASON STERLING
Fine then I'm leaving, I don't want to see you again!


Scene 4.
INT IN THE CAR - MORNING
(JASON STERLING, ROBERT TAYLOR)

Phone rings and wakes up Jason who was sleeping in his car

ROBERT TAYLOR
Hey mate, it's Rob here

JASON STERLING
What's up?

ROBERT TAYLOR
I reckon we should pay Jimmy a visit and see if he's home.

JASON STERLING
Sounds like and idea

ROBERT TAYLOR
I'll meet you there in like 15 OK?

ROBERT TAYLOR
K see you

JASON STERLING
See you

Scene 6 INT. JAYS PLACE - DAY
(JASON STERLING, JAY MORRIS, ROBERT TAYLOR)

Jason Sterling meets Robert Taylor outside the apartment building.
Both walk inside and get in the elevator.

ROBERT TAYLOR
**** man where have you been? Out all night? You look terrible.

JASON STERLING
Yeah I slept in the car last night.

ROBERT TAYLOR
Ha why the hell did you do that?

JASON STERLING
I've been having problems with my girlfriend again and she kicked me out.

Gets into the lift

ROBERT TAYLOR
Geeze, that's too bad man, I mean you always seem to have some sort of problem with her”¦what was it about this time?

JASON STERLING
Look, I don't really want to talk about it OK?

Jason Sterling slams out of the lift and Robert Taylor follows.

ROBERT TAYLOR
Well I might be able to help.

JASON STERLING
You have no idea how I'm feeling. You best back off now coz I'm beginning to get pissed.

ROBERT TAYLOR
Sorry man just let me know if you want to talk about it.

JASON STERLING
I'll be fine OK”¦if I really want advice from you I'll ask. Anyway how is your new relationship going?

ROBERT TAYLOR
Couldn't be better it's go”¦

Jason Sterling cuts him off and stops at the door

JASON STERLING
Wait this is the one

Scene 5.
Robert Taylor knocks on the door and a guy opens it. Robert and Jason walk in.
ROBERT TAYLOR
Hey kids

Robert Taylor walks up to the guy sitting at the table, shows him his gun.
ROBERT TAYLOR (CONT'D)
What you boys doing here, where is jimmy?

No answer

ROBERT TAYLOR
Am I deaf or did I just ask you a question?

JAY MORRIS
We're minding his place.

ROBERT TAYLOR
Do you know who we are?

JAY MORRIS
N-No

ROBERT TAYLOR
Do you know where the hell he is?

JAY MORRIS
What?

ROBERT TAYLOR
Are you stupid? A simple question where is JAMES POLLAK?

Some guy in the room cuts in

ROBERT TAYLOR
I don't remember asking you a god damn thing!


JAY MORRIS
I might know what's it to you?

ROBERT TAYLOR
Look you little **** tell Pollak that Robert Taylor wants to meet him tomorrow night behind slims club in the back alley at 1:30am - got that? (Points the gun at him)


JAY MORRIS
Ok ok but will he know you

ROBERT TAYLOR
He'll know.

Scene 6.
INT. IN THE CAR - MOMENTS LATER
(JASON STERLING, ROBERT TAYLOR)

ROBERT TAYLOR
God damn it man, did you see the look on that guy's face?

JASON STERLING
Yeah I saw it.

ROBERT TAYLOR
He was scared ****-less

JASON STERLING
OK I have to admit that it was quite amusing. I got to get going, I'm running late for work.

ROBERT TAYLOR
I can't wait to see the look on his face tomorrow night. I love sweet revenge.

JASON STERLING
Yeah me too. (Slight evil smile)
Car drives off.

Scene 7.
INT. THE ALLEY - LATE NIGHT
(JASON STERLING, JAY MORRISM JAMES POLLAK, ROBERT TAYLOR)


JASON STERLING
Hello Jimmy remember us?

JAMES POLLAK
Yeah from the trial.

JASON STERLING
Do you know what I want?

JAMES POLLAK
You tell me

Jason sterling
I want the case

Robert Taylor
What case?

JAMES POLLAK
I thought we had a deal?

Jason Sterling
Not any more

James Sterling pulls out a gun and points it at Jimmy - Jimmy gives up the case.

JASON STERLING CONTD.
Thank you. Now I'm sorry to do this Jimmy but”¦

Jason points the gun at Jimmy's head, pauses then turns and points the gun at Robert Taylor

ROBERT TAYLOR
Jason, what the hell are you doing? don't play games ”¦ this is serious man ”¦.

Then flash back to Jason Sterling spying on Robert and Kate at dinner. Jason doing a deal with Jimmy, Jason fighting with Kate, and the murder scene.

Jason Sterling then shoots Robert Taylor

JASON STERLING
You call yourself a mate yet you played me for a fool, I know about you and Kate and I loved her man”¦

Jason Sterling then shoots Jimmy, places the gun in Jimmy's hand and walks off with the briefcase.


The end.
 
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